In the spring of 1968, film critic Roger Ebert reviewed Stanley Kubrick‘s2001: A Space Odyssey. The critic couldn’t fathom everything he’d just seen: What were those monoliths? What was that final sequence in that creepy hotel about? Who or what, exactly, was the “Star Child?” Ebert didn’t care; he knew …
Read More »In Praise of 'Annihilation' and the Modern 'Weird' Sci-Fi Renaissance
